Um, you may leave ALL the detailed feedback you like! (This properly made my evening yesterday!) I just....your whole analysis of the science and flying sections is AMAZING, and completely perfect and right. But most of that was not conscious on my part! The flowing overlays indicating 'all the stuff going on on Tony's head but in a manageable and soothing kind of way' yes, that was deliberate.....but I love your interpretation of the flying section! You're right in saying that is mostly the way it is visually because it is so pretty and there was no need for added motion...
Also the 'cogs turning in Tony's head' - I hadn't thought of that! But it definitely works. I was thinking more along the lines of 'Tony trying to put himself together', but in a disparate and disconnected sort of way. An introverted, keep-other-people-out sort of a way. Yes, the armour protects him and makes him fly, and yes it all fits together like a well-oiled dream, but it (like him) can still malfunction. It sort of contrasts with the section near the end, when Bruce and Steve and Rhodey and Pepper and Yinsen catch him and put him back together themselves. Tony Stark may not 'play well with others', and may be a fine superhero in his own right, but he is a better person when he lets others help him out. And by the end we see him building things again, putting his superhero self together, but in a calmer, more measured way; not hitting things and blowing things up, but planning and thinking and taking responsibility.
how can you communicate so powerfully without knowing it? But maybe when you have a very strong sense of a character then that can come across in ways you don't consciously notice.
I think that's true - I have a very strong sense of how I see Tony, and there are key moments in his life/development that I tried to put into the vid, without always thinking about them from every angle. And I put in the clips and spend so long editing and editing and looking at the vid in terms of flow and pace and movement that I sometimes forget why I even chose certain clips! And then someone like you comes along, who also has a very clear idea of how you see Tony, but are approaching the vid from a completely clean slate, and it's easier to see things. Just because someone hasn't put something in a piece of art deliberately, doesn't mean it's not there! (That was the main thing I took away from my literature-based degree! And is also something I have *really* enjoyed about Doctor Who over the last few years....I spend a significant proportion of my free time reading very detailed Doctor Who meta, about things that are almost certainly not intentional, but are unequivocally there.
I hope you enjoy the other vids! Those are probably my FAVOURITE Tony vids (and it's hard to choose!)
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Also the 'cogs turning in Tony's head' - I hadn't thought of that! But it definitely works. I was thinking more along the lines of 'Tony trying to put himself together', but in a disparate and disconnected sort of way. An introverted, keep-other-people-out sort of a way. Yes, the armour protects him and makes him fly, and yes it all fits together like a well-oiled dream, but it (like him) can still malfunction. It sort of contrasts with the section near the end, when Bruce and Steve and Rhodey and Pepper and Yinsen catch him and put him back together themselves. Tony Stark may not 'play well with others', and may be a fine superhero in his own right, but he is a better person when he lets others help him out. And by the end we see him building things again, putting his superhero self together, but in a calmer, more measured way; not hitting things and blowing things up, but planning and thinking and taking responsibility.
how can you communicate so powerfully without knowing it? But maybe when you have a very strong sense of a character then that can come across in ways you don't consciously notice.
I think that's true - I have a very strong sense of how I see Tony, and there are key moments in his life/development that I tried to put into the vid, without always thinking about them from every angle. And I put in the clips and spend so long editing and editing and looking at the vid in terms of flow and pace and movement that I sometimes forget why I even chose certain clips! And then someone like you comes along, who also has a very clear idea of how you see Tony, but are approaching the vid from a completely clean slate, and it's easier to see things. Just because someone hasn't put something in a piece of art deliberately, doesn't mean it's not there! (That was the main thing I took away from my literature-based degree! And is also something I have *really* enjoyed about Doctor Who over the last few years....I spend a significant proportion of my free time reading very detailed Doctor Who meta, about things that are almost certainly not intentional, but are unequivocally there.
I hope you enjoy the other vids! Those are probably my FAVOURITE Tony vids (and it's hard to choose!)