(no subject)

Feb. 1st, 2026 06:27 pm
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
I manage to drop my iPod classic and break the plastic bezel around the charging port :(

I'm hoping that won't become a problem (it still charges and transfers data fine so far). It looks like the part itself is easily found, but I don't want to open my iPod and risk breaking something else in the process. I'm wondering if getting a cover for the port might be a good idea (it seems the main point of the bezel was to keep dust out).

Festivids!

Feb. 1st, 2026 06:17 pm
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
I got a lovely Shetland vid for Festivids!

(I'm still working my way through the rest of the collection)

(no subject)

Feb. 1st, 2026 04:37 pm
skygiants: Princess Tutu, facing darkness with a green light in the distance (Default)
[personal profile] skygiants
I finished Tasha Suri's The Isle in the Silver Sea yesterday and I am wrestling with profoundly conflicted feelings about it. It's an interesting book, it's an ambitious book; it's a book with a great deal to say, sometimes with a sledgehammer; it went in places I didn't expect, and appreciated, and also I think it maybe fails at the central task it needed to succeed at in order to make it actually work for me as a book.

The premise: we're on an island, and this island is composed of Stories About Britain. London is there, constantly caught between Victorian London and Elizabethan London and Merrie Olde England depending on what sort of narrative you're in. The Glorious Eternal Queen reigns forever with her giant ruffs and bright red hair. Each bit of the island is tied to a bit of story, and that story attaches itself to particular people, Incarnates, who are blessed/cursed to live out the narrative and keep the landscape alive with it. At this point this has been going on for so long that incarnates are usually identified pretty early and brought to live safely at the Queen's court where they kick their heels resignedly waiting for their fate to come upon them.

Sometimes immigrants come to the island. When they come, they forget their language and their own stories in the process. They are not supposed to get caught up in incarnation situations, though -- in theory, that's reserved for True Born Englishmen -- but unfortunately for our heroine Simran, she appears to be an exception and immediately upon sighting the shores of the isle as a child also started seeing the ghost of her past incarnation, indicating that she is the latest round of the tragic tale of the Witch and the Knight, who are doomed to fall in love and then die in a murder-suicide situation For The Realm.

Simran's knight is Vina, the mixed-race daughter of a wealthy noble, who is happy to be a hot and charming lesbian knight-at-arms but does not really want to be the murderous Knight any more than Simran wants to be the Witch. However, the plot begins, Simran is targeted by an Incarnation Murderer who kidnaps her best friend and challenges her to meet him on her Fated Mountain, and they of course have to go on a quest where they of course fall in love despite themselves and also learn more about why the current order must be overthrown because trying to preserve static, perfect versions of old stories is not only dooming a lot of people to extremely depressing fates but also slowly killing the Isle. This quest makes up the first part of the book.

I am very interested in the conversation that Tasha Suri is using this book to have about national narratives and national identities and the various stories, both old and new, that they attempt to simplify and erase. Her points, as I said, aren't subtle, but given Our Current Landscape there is a fair argument to be made that this is not the time for subtlety. I also think there's also some really good and sharp jokes and commentary about the National Narratives of Britain, specifically (evil ever-ruling Gloriana is SUCH a funny choice and the way this ends up being a mirror image for Arthuriana I think is quite fun as well).

On the other hand, the conversation is so big and the Themes so Thematic that they do end up entirely overshadowing the characters for me, which I do think is also a thematic failure. The first part of the book is about Vina and Simran's struggle to interact with each other and their lives as individuals, rather than the archetypes that overshadow them, but as Vina and Simran they also never quite felt like they transcended their own archetypes of Cranky Immigrant Witch and Charming Lesbian Knight With A Hero Complex. Which startled me, tbh, because I've liked several of Tasha Suri's previous books quite a lot and this hasn't struck me as a problem before. But I think here it's really highlighted for me by the struggle with Fate; I kept, perhaps unfairly, compare-contrasting with Princess Tutu, a work I love that's also about fighting with narrative archetypes, and how extremely specific Duck and Fakir and Rue feel as characters. I finished part one feeling like I still had no idea whether Vina and Simran had fallen in love as Fated Entities or as human beings distinct from their fate, and I think given the book this is it really needs to commit hard on that score one way or another.

Part two, I think, is much more interesting than part one, and changes up the status quo in unexpected ways. If I pretend that part one landed for me then I'm much happier to roll with the ride on part two, though there is an instance of Gay Found Family Syndrome that I found really funny; you can fix any concerning man with a sweet trans husband and a cottage and a baby! [personal profile] genarti will argue with me that she thinks it was more complicated than that, to which I will argue, I think it could have been more complicated IF part two had had room to breathe and lean into any of those complexities. Making part one half its length and part two double its length would I think fix several of my problems with the book. "but you just said that Vina and Simran don't feel specific enough" yes that's true AND they take three hundred pages to do it! I'd be less annoyed about them feeling kind of flat if we were moving on more quickly to other things ...

Anyway. I didn't find this book satisfying but I did find it interesting; others may find it to be both. Curious to talk about it with anyone else who's read it!

Sidenote: the Tales and Incarnations are maintained by archivists, who keep the island and the stories it contains static and weed out any narratives they think don't belong. This of course is evil. I went and complained about the evil archivist propaganda to [personal profile] genarti, who read this book first, and she said 'read further.' So I did! It turns out that in contrast to the evil archivists, the woods are populated by good and righteous librarians!! who secretly collect oral histories and discarded tales that have been deemed subversive by the archivists but which of course the island needs to thrive. I do appreciate that not all institutional memory workers are Evil in this book and I understand the need in fiction to have a clear and easy distinguishing term between your good guys and your bad guys, but Tasha Suri, may I politely protest that this is in fact also archivist work --

Sidenote two: v. interesting to me that of the two big high-profile recent Arthurianas I've read the thing I've found most interesting about both of them is their use of the Questing Beast. we simply love a beast!!

Vid recs

Feb. 1st, 2026 06:24 pm
selenak: (Holmes and Watson by Emme86)
[personal profile] selenak
Festivids went online. I can't create vids myself, but I love watching them. Here are some which especially caught my eye this year:




Babylon 5 : I loved all three of this year's B5 vids, but Marching On really is a love letter to the entire show, and I adore it.


Conclave : The Devil you know : in which there is scheming, rise and fall, and gorgeous cinematography. Captures the spirit (and performances) of the movie really well.


Elementary: Read my mind: my favourite incarnations of Holmes and Watson get a superb outing in this one.


Foundation: So it goes: captures the grandeur, the insanity, the messed up parent/mentor/child (protegé) relationships really really well. (No material from the third season used as far as I can tell, if anyone hasn't watched it yet and doesn't want to be spoiled.)

Knives Out Movies: Now you know: Sondheim/Knives Out OTP! Witty and moving take on all three leads, their stories and the connecting elements.

Star Trek: Prodigy: Find your people: which is what our young heroes do so very well in this lovely show - and in this vid.

Wonder Man (TV Miniseries)

Jan. 31st, 2026 05:13 pm
selenak: (Gentlemen of the Theatre by Kathyh)
[personal profile] selenak
Aka a new Marvel miniseries which like, say, Moon Knight, does its own thing and tells its own story though it does take place within the MCU. By which I mean that if you've never watched a single Marvel movie, you'll still have no problems following the plot and character arcs. (Though if you do have watched Iron Man 3 and Shang-Chi, you already know the backstory of one of the two main characters, which otherwise you quickly learn within the first episode.) There is also minimum super power content,though the fact they exists is plot relevant in the way that, hm, Willy Loman's profession is to Death of a Salesman. Genre-wise, I'd qualify this as a dramedy, and much like Agatha all Along references various Horror shows and movies and Wanda Vision various tv comedy shows in its structure while offering their own story, Wonder Man is a take on both Hollywood on Hollywood films, and "out of luck odd couples trying to make it within a system set against them" stories, with the one referenced the most being Midnight Cowboy (1969 movie starring Jon Voight and Dustin Hoffman, if you haven't watched it yet, which you should). (There is also a John Steinbeck flair to the tale, from both Grapes of Wrath and Mice and Men. )

The premise and story: Our hero Simon (played by the same actor who gave a great performance as Angela's husband in Watchmen the tv series, to describe his character there as unspoilery as possible) is an actor going through the gruelling audition after audtion for bit parts routine which most actors other than the very few stars out there have to live with; against him isn't just the fact he's prone to overthink everything and unable to read the room, though he does have talent and being an actor is his dream, but the fact he secretly has superpowers, and due to a catastrophic accident on a film set a few years earlier, actors with superpowers can't be hired anymore. Just after he managed to get himself fired from playing a victim in the latest American Horror Story installment, he runs into none other than Trevor Slattery (played by Ben Kingsley, enjoying himself in the role even more than he did in Iron Man 3 and Shang-Chi), recently landed in LA and trying to return to show biz. Trevor turns out to be the Ratso to Simon's Joe, the George to his Lennie, and we follow these two through auditions, improvs, filming...and their past catching up with them, because Simon isn't the only one who has a secret.

The moment when I knew I'd love the show was the scene early on when Simon and Trevor are quoting/acting favourite scenes at each other, and Trevor goes into one of Salieri's monologues from Amadeus. Note that Ben Kingsley doesn't deliver this by imitating F. Murray Abraham's performance. Or, dare I say, how he'd play it, were he cast as Salieri in an Amadeus production. He plays/quotes it the way Trevor would - an actor who in the MCU, we learn, actually did a lot of Ben Kingsley's earlier parts, like playing in East Enders, but never had the big Gandhi breakthrough, let alone the aftermath, did way too much drugs and drinks and then did what he did in Iron Man 3 . The series for all its various hilarious send-ups - that there are movies named "Cash Grab" in it is the least of it - also is great with its depiction of the actorly life. For example, the sequence when Simon, Trevor and some other contestants have to do improvs for the director of their potential breakthrough, if they get hired, has its comedy, but the actors given various situations to play out aren't hamming it up, they really try to embodiy the situation/emotion asked for.

Another enjoyable aspect of the show is that Simon's family are immigrants from Haiti (Simon was born in the US and doesn't speak but understands Creole, while his mother and the older relations often drop in and out of it) - and there isn't a single cliché involved. No voodoo. No suddenly revealed warlord past. They're simply an immigrant family.

Speaking of immigrants: like several other more recent MCU properties, this one features the "Department of Damage Control" going after supers, and here the subtext is not so sub without overhwelming the story. I mean, it's impossible not to think of current day events when you watch what they're doing, and it's important to the plot, but it doesn't overhwelm the story. Whose heart is the developing relationship between Simon and Trevor and, as different as they are from each other, their passion for acting. I did not have this on my yearly wish list, and the show was a very pleasant suruprise for me.

For those on TikTok...

Jan. 30th, 2026 10:35 am
elisi: Snoopy w/Keffiyeh (Free Palestine)
[personal profile] elisi
I've never been on TikTok, but now appears to be time to get off. From Tumblr:

Take a look at the latest update to Terms & Conditions...
(Also has instructions for how to delete the app while bypassing the new terms.)

Instead people are switching to something called Upscrolled:

UpScrolled, a Palestinian-Founded App, Emerges as TikTok's Rival
The app gained momentum after TikTok’s US operations were taken over last week by a consortium of US-backed investors and corporations.

Among them is Oracle founder Larry Ellison, a close ally of Israeli Prime Minister Benjamin Netanyahu, whose involvement has raised alarm among users over alleged censorship of pro-Palestinian content.

TikTok’s global operations remain under its Chinese parent company, ByteDance. However, criticism intensified after TikTok permanently banned Emmy Award-winning journalist and Al Jazeera contributor Bisan Owda from Gaza on Wednesday.




aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
January 29 - 'If you could play only one instrument brilliantly, what would you choose? (If you're already brilliant at playing an instrument tell me another one you'd like to master).' for [personal profile] corvidology:

Read more... )

(there are still slots open for the January Talking Meme here)

Vid Recs: Heated Rivalry

Jan. 29th, 2026 10:47 pm
par_avion: collage of intl air mail stickers (Default)
[personal profile] par_avion posting in [community profile] vidding
Seven vid recs for Heated Rivalry. (I cant figure out how to make a public post to my own journal, so I'm copying these here).

RUN BOY RUN [VID] Queerness Makes Queerness Possible by nordreys
Fandom: Heated Rivalry (TV)
Rating: Mature
Warnings:
Graphic Depictions Of Violence

Relationships: Shane Hollander/Ilya Rozanov, Kip Grady/Scott Hunter, Shane Hollander & Scott Hunter, Scott Hunter & Ilya Rozanov, Shane Hollander & Ilya Rozanov
Characters: Shane Hollander, Ilya Rozanov, Scott Hunter (Game Changers), Kip Grady, Rose Landry, Svetlana Vetrova, Yuna Hollander, David Hollander
Additional Tags: queer syntax is infinite, queerness makes queerness possible, Hockey, Romance, the closet, Social Media, Representation, Love, Accidental Outing, Driving Into The Sunset
Series: Part 6 of vids
Summary:

queer syntax is infinite. queerness makes queerness possible.

being gay and being a hockey player and the years in between until something helps you realize change is possible.



Naked In Manhattan by sisabet
Fandom: Heated Rivalry (TV)
Rating: Mature
Relationships: Shane Hollander/Ilya Rozanov
Characters: Shane Hollander, Ilya Rozanov
Additional Tags: POV Shane Hollander, First Time, Fanvids, Video Format: Streaming
Summary:

Shane experiences a series of firsts.



[vid] Blow by bingeling
Fandom: Heated Rivalry (TV)
Rating: Mature
Relationships: Shane Hollander/Ilya Rozanov
Additional Tags: POV Shane Hollander, Sub Shane Hollander, Closeted Characters, Physical Triggers, Embedded Video, Captions Available, Download Available, Fanvids, Video Format: MP4, Video Format: Streaming
Summary:

You taste like cigarettes



[VID] 11:11 (16 words) by Nestra
Fandom: Heated Rivalry (TV)
Rating: Mature
Relationships: Shane Hollander/Ilya Rozanov
Characters: Shane Hollander, Ilya Rozanov
Additional Tags: Video, Embedded Video, Download Available, Subtitles Available, Canon-Typical Everything
Series: Part 20 of Vids by Nestra, Part 31 of Creator's Favorites
Summary:

I knew from the beginning.



Fine Not Fine [Vid] by jennavids
Fandom: Heated Rivalry (TV)
Rating: Teen And Up Audiences
Relationships: Shane Hollander/Ilya Rozanov
Characters: Shane Hollander, Ilya Rozanov
Additional Tags: Fanvids
Summary:

and I've never been myself, I just follow orders

[A Hollanov video set to Fine Not Fine by Spector]



[Vid/Edit] Pilot With a Fear of Heights by technicallyverycowboy
Fandom: Heated Rivalry (TV)
Rating: Teen And Up Audiences
Relationships: Shane Hollander/Ilya Rozanov
Characters: Shane Hollander, Ilya Rozanov
Additional Tags: Fanvids, shane "brave little toaster" hollander
Summary:

I've been thinking 'bout you all night
Like a pilot with a fear of heights



is it ever gonna be enough? [vid] by copperiisulfate
Fandom: Heated Rivalry (TV)
Rating: Teen And Up Audiences
Relationships: Shane Hollander/Ilya Rozanov
Characters: Ilya Rozanov, Shane Hollander
Additional Tags: Fanvids, Video, Embedded Video
Summary:

a relationship study of sorts through the first season of the series

Girl Scout Cookies!

Jan. 29th, 2026 09:27 pm
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
I just realized Girl Scout Cookies are available to order online! I might pick up a few more boxes when the Girl Scouts are selling them in person in a few months.

Upcoming Vidshows in 2026

Jan. 29th, 2026 09:08 am
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
Escapade 36 = February 20 - 22 (vid deadline = Feb 14)
VidUKon = June 5 - 7
World Wide Slash (DC-Slash's new name) = July 17 - 19
Escapade 36.5 (online) = August 7 - 9
Confabulation = October 22 - 25

I think Wiscon (May 21- 25) might have a vidshow, but I haven't seen anything confirmed yet.

Yesterday I beat ARTORIAS

Jan. 29th, 2026 11:13 am
rydra_wong: Lee Miller photo showing two women wearing metal fire masks in England during WWII. (Default)
[personal profile] rydra_wong
And I am still buzzing and I am so so so proud of myself and I need to talk about it and I only know two people who know what it means.

If anyone has 80 seconds, I rec watching Symbalily's first encounter with Artorias the Abysswalker:



Like O&S, this is one of the most iconic fights in the entire Dark Souls series. But I would say it's as much of a difficulty spike again relative to them as they are to the game before them.

Context: Artorias is the great legendary hero you've been hearing about all through the base game. But now he's been defeated by the Abyss, with his left arm shattered (his sword arm, so he's fighting you by swinging a sword with his off hand) and his mind mostly gone.

(There is meta to be meta-ed about FromSoft's long line of incredibly badass disabled characters; I don't know if it's necessarily #unproblematic #goodrepresentation, given that so many of them are trying to kill you and it's often being used to evoke ruin and tragedy, but it's not nothing either. Adaptive king Artorias.)

The way he howls and shakes reminds me of nothing so much as the Tumblr story about the rabid raccoon. It's eerie and wrong and awful.

He is incredibly aggressive and incredibly fast, and if you start chipping his health down he draws on the Abyss to power himself up further in a way that can rapidly make his hits unblockable (at least for most builds), so you can only try, desperately, to dodge. And after one or two power-ups, he can and will one-hit kill you, and then do front flips on your corpse.

I think I had to level my brain up to do this fight. Holy shit.

I have been IMMERSED over the last few days, learning his patterns and rhythms, and now I feel weirdly close to Artorias and emotional about it. More than any of the other bosses so far, Artorias feels like fighting a person. I gave his soul to an old friend of his to take care of. Sleep well, dude.

(no subject)

Jan. 28th, 2026 02:37 pm
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
I'm kinda tempted to make a Wikipedia account so I can update Mary Lambert's discography - her page is missing the singles Tempest from last year and Minneapolis from last week.

imho they're both really good songs.
aurumcalendula: image from Allie Brosh's Hyperbole and a Half with a vhs tape added and a caption that reads 'vid all the things!' (vid all the things)
[personal profile] aurumcalendula
January 27 - 'What are your vidding ambitions for 2026?' for [personal profile] serrico:

Read more... )

(there are still slots open for the January Talking Meme here)

Dept. of Cold and COVID

Jan. 27th, 2026 02:33 pm
kaffy_r: Image of personified Death with scythe (Death's definitee)
[personal profile] kaffy_r
Yep, I Tested Positive

I thought I was coming down with the same bad cold that Bob was slowly recovering from. I don't get colds all that often, and I'd thought this one would pass me by, but nope, it appeared eager to settle in my head. Well, dang ... I headed for bed, hoping it wouldn't be too bad in the morning. 

Around 3 a.m. Saturday I woke up with aches that signaled a potential temperature. And indeed I had one; 100.7, significantly higher than the 97.9 I usually run. I knew that colds don't feature fevers so I tested myself for COVID. 

I didn't even have to wait the requisite 15 minutes, both lines were there in bright red within 30 seconds. 

Welp. 

I've felt like I've been hit by a truck ever since. I keep telling myself it's a smaller truck than it might have been, thanks to the booster shot I got last year (of course, I can't recall exactly when I got it, but I think it was in mid-summer.) but it's still a truck. I ran a lower temp on Sunday, and Monday and Tuesday, today, I haven't had a temperature since then and today I retook a test. At first, the only reaction was the control line. Huzzah! I was certain I'd gotten the first of the two negative tests I'd need to declare myself COVID free. As I said, Huzzah--

--except at the end of the 15 minute wait time, there it was, a faint but definite second line. 

Welp. Again. 

And it's still like being hit by a small truck. 

Ah well, I'm getting some work done on my NTBP* novel, escaping a corner I'd painted myself into. And I'm also making some bread. That always comforts me. 

And here, have something I wrote about cold decades ago. Since we're still in single digit temperatures with subzero windchills, it feels the same to me, although this was written after a relatively rare ice storm during a cold snap.


Glass City
 
The city is glass and I am cold.
 
When cold aches out of bone
into fingertips,
and back again;
into the back of my throat and under the sleeves of my coat
and back again;
why then I can't see the glass.
My own breath blocks my sight. Painfully.
 
Cold holds my body for ransom.
It slaps my face and makes my toes snap,
it steps on my feet and punches the small of my back.
Traitor body, to let it in.
 
Did it really start in the bone?
I am so tired of my bones doing that.
 
All about me, the glass trees rustle.
Splinters of blue light and silver at the top,
in the middle a puzzle and madness of glitter in the bright, faded sky.
 
Winter sun does that.
 
It's almost worth
the cold.

March, 1995

* not to be published
selenak: (DuncanAmanda - Kathyh)
[personal profile] selenak
As opposed to his son, where I would describe my opinion only getting slightly modified, not really changed, over the years, I really did do a turnaround on James. For a long time, basically neither of the two main associations I had when thinking of him were to his credit: a) when his mother was about to be executed, James lodged a token protest with Elizabeth but simuiltanously sent a letter to Leicester to ensure it wouldn't be taken too seriously, and b) he wrote one of those ghastly books encouraging witchhunts in the 17th century, with devastating results. Yes, I also knew that during his reign, the English equivalent of the Luther bible was created (i.e. just as Luther's translation of the bible into early modern German is a major major step in the develpment of the language and was to prove influential for writers up to and including the decidedly not religious Bertolt Brecht, the "King James bible" did the same for early modern English), but since as opposed to Martin L., James didn't do the translating himself, I did not consider this to be a plus in his favour.

I think the first to make me question this low or at least limited opinion was [personal profile] jesuswasbatman, who had just watched Howard Benton's play about James and Anne Boleyn (in two different timelines, obviously), and then [personal profile] deborah_judge who was also an advocate. A decade, some biographies and a few podcasts later... Okay, I admit it: He was, to tongue-in-cheekily quote a current day translation of a very different epic, a complicated man.

As to not making more than a token protest: given he never knew his mother (he'd last seen her when he was four months old and she had left the country when he was a little more than a year), and was raised by a gallery of her bitterest enemies who kept teaching him she was the worst, this is really not surprising. What is actually interesting is that both James and Mary inherited their Scottish throne as babies, had regents until they were adults and became responsible for a nation with a lot of internal strife, an uncomfortably powerful neighbour next door and nobles with a power that the British nobility had lost post Wars of the Roses, but the results when they took over became very very different. Yes, in a sexist age James had the advantage of being a man and also of not being a Catholic in a country with a majority Protestant population. But he still deserves credit for being the first Scottish ruler in a long time who managesd to stablize the country, lead it well and avoid costly wars with the English. (The fact that he was King of Scotland for a staggering 58 years - to the 22 years of his English and Irish Kingship - tends, I'm told, to be overlooked on the English side of the border in the public consciousness. Even if you discount his childhood and youth., i.e. the years before his personal rule, that's still an impressively long reign.) And he did after a childhood which was if anything even tougher than that which had served as a tough apprenticeship to Elizabeth Tudor (and was so crucially different to his mother Mary's childhood as the darling of the French court): his uncle and first regent, Moray, was shot in 1570, followed by his second regent and grandfather, whom a five years old James saw bleeding to death because Lennox was equally assassinated. This bloody regent turnover continued and got accompagnied with uprisings. When James was eleven, Stirling Castle was raided by Catholic rebels. At sixsteen, he was kidnapped by William Ruthven, earl of Gowrie, and imprisoned for ten months. And then there was his teacher, George Buchanan, who managed to get him fluent in Scots, English, French, Greek and Latin, but did so via constant beatings and humiliations. Buchanan had the declared aim of teaching him about not just his mother being the worst but all the Stuarts being rotten and that as a King he was to exist for his subjects, not for himself. Unsurprisingly, what James actually learned when those lessons where conveyed via beatings was to dissemble, and conclude that it wasn't his ancestors but but rebels who were "monstrous". He also had Buchanan's writings on limited Kingship forbidden as soon as the man was dead.

By now, I've come across a considerable number of royals whom in modern terms we'd classify as gay or at least as bi with a strong preference for men, of which James definitely was one, and who were married because that was par the course for royalty. This often, but not always, means misery for their wives. Compared some of the truly castastrophic to at least very cold marriages (Henriette Anne "Minette" of England/Philippe d'Orleans "Monsieur", Edward II/Isabella of France, Frederick II of Prussia/Elisabeth Christine of Brunswick etc.), James and Anne of Denmark didn't do badly. They even had a sort of romantic origin story, in that Anne, after being married by proxy as was usual, was supposed to be delivered to Scotland via ship, terrible weather made it impossible and her ship ended up in Norway instead, so young James, for the first and last time making a grand romantic gesture for a woman instead of a man, instead of waiting tilll weather and sea were calm enough for Anne to make the trip from Norway instad took the boat to Norway himself, united with his bride and brought her home to England. (His son Charles would decades later try to accomplish something similar by travelling to Spain to woo the Spanish Infanta. It did not have the same results.) This resulted in a good start to the marriage, but also in a dark time for some other women in Scotland because James believed all the bad weather was undoubtedly the result of witchcraft and someone had to be punished for that. Later on, the biggest disagreements James and Anne had weren't about his male favourites but about who got to raise their children, specifically the oldest son, Henry. Anne wanted to do this herself. James, whose own childhood had been a series of bloody turnovers in authority figures (see above), wanted Henry to be raised in the most secure castle in Scotland and by an armed to the teeth nobleman. This made for a lot of rows and repeated attempts by Anne to get her oldest son by showing up at his residence and demanding he be handed over, with the last such occasion coming when James was already en route to England to get crowned.

James' iron clad conviction of the dangers of witchcraft still is chilling to me, but even that is more complicated than, say, the utter ghastliness that was going on in German speaking countries in the 17th century, because James in his later English years actually paired his anti-witchcraft attitude with the admoniishment of judges not to be fooled by conmen and -wen, superstituions and local feuds, and the few times he got personally involved in England (as opposed to earlier in Scotland) it was in the favour of the accused. This doesn't mean women and men didn't die on other occasions in the realm(s) ruled by a monarch known to fear witches, but I still can't think of a parallel among the "theologians" who wrote their anti-wtiches books simultanously in my part of the world, and who never would have admitted the possibility of false accusations, let alone admonished their judges to be sceptical and discerning.

Some of what got James a bad press back in the day now looks good to us, most of all the fact he genuinely and consistently disliked war. BTW, this was less different from Elizabeth I's own attitude than historians and propagandists for a long time presented it. Elizabeth had avoided actual war with Spain for as long as she could, and hadn't been very keen on supporting the Protestant rebels in the Netherlands directly, either, much preferring it if she got someone else to do it. Once the war was there, of course, it had to be fought, but those eighteen years of war had left both England and Spain exhausted and with enormous debts, and one of James' signature policies, the peace of Spain, was undoubtedly to the benefit of both countries. That in the later years of his reign a majority of people yearned for war with Spain again, for a replay of the late Elizabethan era's greatest hits (without considering the expense of all that national glory), and that James still held out against it is to his credit, especially given the results when his son Charles actually pursued such a policy after ascending to the throne. Something that's also to James' credit as a monarch though not as a father is that he kept England out of the 30 Years War while he lived despite the fact that his daughter Elizabeth and his son-in-law were prime protagonists in its earliest phase and might never have become King and Queen of Bohemia if the Bohemians hadn't believed that surely, the King of England (and Scotland, and Ireland), leader of Protestants, would support his daughter against the Austrian Catholic Habsburgs if they elected his son-in-law as a counter condidate to said Habsburg. He also was ruthless enough to deny his daughter and son-in-law sanctuary in England once they were deposed and on the run, which wasn't very paternal but understandable if you consider that this was before his son Charles was married (let alone had produced an heir of his own), meaning that if he, James died and Charles ruled, Elizabeth was the next in the line of succession, and the thought of her husband, the unfortunate "Winter King" of Bohemia whose well-meaning but inept leadership had kickstarted the war, becoming the King of England if anything should happen to Charles gave James nightmares. In conclusion: not participating in one of the most brutal wars fought in Europe ever and in fact trying his utmost diplomatically to prevent it was a good thing. But in centuries where "manly" and "warrior" were going together in the public imagination, it's no wonder that it didn't make James popular.

Mind you: a misunderstood humanist, James wasn't, either. And something that can definitely be laid as his doorstep (though not exclusively so) is that his relationship with the English (as opposed to Scottish) Parliament went from bad to worse every time there was one during his reign, which definitely played a role in what was to come once his son Charles became King. (ironically, Prince Charles had his first and as it turns out last time as a firm favourite of Parliament when he led the opposition to continued peace with Spain and the pro War party in the last year of his father's life.) Why do I qualify this with "not exclusively"? Because Parliamentarians didn't always cover themselves with glory, either. I mean, as I understand it, James' first English parliament went like this:

James: Here I am, fresh from Edinburgh, your new King. Thanks for all the enthusiasm I encountered on the road, guys. Well, seeing as I am now King of England, Scotland and Ireland, I propose and will coin a phrase: A United Kingdom of Great Britain! How about that? Starting with an English/Scottish Union, not just by monarch but by state?

English Parliament: NO WAY. Scots are thieving beggars who are by nature evil and will deprive us of our FREEDOM and RIGHTS and PRIVILEGES if they are treated as citizens of the same country. WE HATE SCOTS. You excepted, because that would be treason.

(Meanwhile in Scotland: Are ye daft, Jamie? We hate those English murderous bastards!!!!!)

James: So basically no one except for me wants a United Kingdom of Great Britain, got it. I still think I'm right and you're wrong, but fine, for now. How about some money for me, my queen, my kids and my lovers?

EP: About that....

Which brings me to the topic of the Favourites. Most monarchs have them. They're usually hated. (It's easier to count the exceptions.) Ironically, one of the very few exceptions, the only one of Elizabeth I's favourites who wasn't hated while being the Favourite, the Earl of Essex, had all the qualities royal favourites are usually hated for - he held monopolies that provided him with lots of money (and one of the fallouts between Essex and Elizabeth was when she refused to prolong said monopoly), his attempts at playing politics were disastrous (and also outclassed by his rival Robert Cecil), and the only thing he had going for himself really were good looks and cutting a dashing figure when raiding Spanish coastal cities. In over forty years of Elizabeth's reign, a court culture wherein the male courtiers played at being in love with the Queen had been established, and certainly all her long term favourites were framing their relationship with her in romantic language. Now presumably when James became King, people who hadn't been paying attention to gossip from Scotland had expected things to go back to the Henry VIII model where certainly the King still had his faves but the romantic language was out . But lo and behold, while it's impossible to prove James actually had sex with any of the young handsome men he favoured, the language used in his letters to at least two of them (Robert Carr, Earl of Somerset, and George Villiers, Duke of Buckingham) is certainly suggestive, and he did kiss them and others in public. While men kissing men in that day and age wasn't necessarily coded erotic, especially coming from a monarch, James did it often enough for ambassadors to notice and report. And certainly when courtiers wanted to remove the current Favourite, they tried it via presenting young good looking men to James. (This worked in one case - the toppling of Somerset in favour of Buckingham, though there were other factors involved as well - but failed when Buckingham's earlier sponsors, realizing they had just traded Skylla for Charybdis, tried to do the same thing again. No matter how many sexy young things were presented, Buckingham remained James' Favourite till James' death.) Favourites were on the one hand certainly a symptome of the corruption inherent int he absolutist system, but otoh also hhighly useful in that they offered an out for both King and subjects in whom to blame for unpopular policies. Instead of critiquing the King, the opposition could frame its complaints in being the venting of loyal subjects about the Evil Advisors (tm), while the King could sacrifice a scapegoat if things went too badly to quench public anger. As opposed to his son, James was ready to do that if needs must. But his Favourites still contributed to the overall perception of the court as a den of sin and corruption. (Which, yeah, but as opposed to which previous court?)

(BTW, and speaking of the usefulness of scapegoats for monarchs, my favourite example for the story about Henry starting out as this charming well meaning prince going bloodthirsty monarch only after he didn't get his first divorce and had a tournament accident being wrong remains the fact that when Henry ascended to the throne at age 18, one of the first things he did was to accuse two of his father's more ruthless tax men of treason and have them beheaded in a cheap but efficient bid for popularity. Now, no one could deny said two officials, one of whom, Edmund Dudley, was the grandfather of Elilzabeth's childhood friend and life long favourite Leicester, had been absolutely ruthless in their mission to squeeze money out of the population by every legal or barely legal trick imaginable. But they had done so under strict instructions from Henry VII, and the accusation of treason for this was ridiculous. Note that Henry VIIII could simply have dismissed them when he became King. But no. He went for legal murder from the get go. However, since everyone hates tax men, absolutely no one minded and many celebrated instead of thinking of the precedent. This is why the Tudors, by and large, when governing had a genius for (self) propaganda the Stuarts just didn't.)

I wouldn't agree with one of the latest biographers, Clare Jackson, that James was the most interesting monarch GB had, but he certainly is interesting, and far more dimensional than younger me gave him credit for.


The other days

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